Film screenings by Paper Tiger TV and Deep Dish TV highlighting the work of political filmmakers and creating space for critical dialogue.
About Paper Tiger ::: Paper Tiger TV is an open, non-profit, volunteer video collective that has been creating fun, funky, truly alternative media since 1981! PTTV strives to create awareness of how media can be used to affect social change and empower communities to create their own grassroots media.
Reels for Radicals began in December 2015. Since then, we have shown the following films:
All Day All Week: An Occupy Wall Street Story + discussion with Director Marisa Holmes
In 2011, there were occupations of squares happening all across the globe. People were rising up in response to the global financial crisis and for real democracy. It was a moment of upheaval when anything seemed possible.
In this context, on September 17th, 2011, a two-month encampment of Zuccotti Park, renamed Liberty Plaza, began in the financial district of NYC. Occupy Wall Street (OWS) was an autonomous zone of activity with general assemblies engaging in directly democratic processes and working groups self-organizing to meet basic needs. It was a liberated space.
The non-fiction feature film, All Day All Week: An Occupy Wall Street Story, tells the story of OWS from the perspective of those who lived it. Filmed by and in conversation with participants, the film offers a glimpse inside the daily life of occupation as well as reflections on the experience.
We are the Palestinian People: REVOLUTION UNTIL VICTORY (1973) on 16mm (!!!) + panel discussion with Lamis Deek (NYC-based human rights attorney born in Palestine), Matt Meyer (War Resister’s International), Libor Von Schonau (co-founder of the Art and Struggle collective and former vice-chair of the Middle East Crisis Committee), and Felice Gelman (Where Should the Birds Fly producer and Palestinian solidarity activist).
“Made by a breakaway faction of the US Newsreel collective Pacific Newsreel, We Are the Palestinian People (Revolution Until Victory, 1973) edits exclusively archival footage into a detailed, historical reconstruction of the conflict. Great attention is paid to the political genesis of Zionism, the role of colonial Britain in assigning Palestine to zionists and the strategic role Israel has played ever since in the control and monopoly of the world’s most sought-after commodity, oil. While other titles stressed the internationalist dimension of the Palestinian revolution by linking it to other anti-colonial struggles, the same concept is rendered here specularly – for if anti-imperialism is a transglobal phenomenon, so is repression.”
– Sight and Sound Magazine
Good Fortune + discussion with Director Jeremy Levine
GOOD FORTUNE explores how massive international efforts to alleviate poverty in Africa may be undermining the very communities they aim to benefit. Through intimate portraits of two Kenyans battling to save their homes from large-scale development organizations, GOOD FORTUNE examines the real-world impact of international aid. In the rural countryside, Jackson’s farm is being flooded by an American investor, who hopes to alleviate poverty by creating a multi-million dollar rice farm. Across the country in Nairobi, Silva’s home and business in Africa’s largest shantytown are being demolished as part of a United Nations slum-upgrading project.
Here Come the Videofreex + discussion with Director Jon Nealon, Skip Blumberg (founding member of the Videofreex), and DeeDee Halleck (founder of Paper Tiger TV, co-founder of Deep Dish TV and Professor Emerita of UCSD)
HERE COME THE VIDEOFREEX tells the story of the most radical video collective of the 1960’s and 70’s. It is the quirky tale of ten people’s optimism and creativity, and their vision of what television could have become at a time when the three big networks ruled the TV airwaves.
From the Other Side + discussion with Kevin Duarte (member of the New York State Youth Leadership Council)
FROM THE OTHER SIDE looks at the situation of Mexican immigrants at the border between Agua Prieta, a Mexican border town in the state of Sonora, and Douglas, Arizona, the city on the other side. The first half of the film is set in Mexico. Between static and tracking shots of desert landscapes and the border wall, Akerman interviews people who plan to or have attempted to cross the desert into the US, including a young boy in an orphanage. She quietly interviews an older couple whose son died in the desert when his group lost their way.
Veterans and Media Activists Report Back From Standing Rock - Deep Dish TV
A Report Back on Standing Rock
Iraq Veterans Against the War & veterans who recently returned from Standing Rock
Paper Tiger TV
The Native and the Refugee
Filmed on Saturday, December 17, 2016 @ 16 Beaver St. (4th Fl) in NYC
Matt Howard, co-director of Iraq Veterans Against the War (IVAW)
Katherine Nguyen, member of Iraq Veterans Against the War (IVAW)
David Suker, Veterans Stand for Standing Rock
Julie Ludwig, filmmaker and staff member at Paper Tiger Television
Aneeta Mitha, filmmaker and activist
Matt Peterson, Director/Producer of The Native and the Refugee, a research platform investigating the experiences of Palestinian refugee camps and American Indian reservations
Vanessa Terán, photographer/multimedia artist
Will Munger, water protector who lived at Oceti Sakowin Camp for a few weeks
Karen Chamberlain, member of Long Island Activists
Photo by Julie Ludwig
Produced by Rebecca Centeno
Camera & Sound by Zishun Ning
Edit by Rebecca Centeno
For more information:
- Veterans and Media Activists Report Back From Standing Rock - Deep Dish TV
- David Suker, a veteran, on his experience at Standing Rock - Report Back From Standing Rock (Dec. 17th in NYC)
- Karen Chamberlain on Standing Rock being an indigenous-led movement - Report Back From Standing Rock (Dec. 17th in NYC)
- Katherine Nguyen (IVAW) on her experience at Standing Rock - Report Back From Standing Rock (Dec. 17th in NYC)
- Vanessa Terán on colonialism, power structure, & identity - Report Back From Standing Rock (Dec. 17th in NYC)
- Matt Peterson on rural living, kinships, and survival - Report Back From Standing Rock (Dec. 17th in NYC)
- Will Munger on "cowboys and Indians" coming together against capital - Report Back From Standing Rock (Dec. 17th in NYC)
- Matt Peterson on jurisdiction in Standing Rock and Obama - Report Back From Standing Rock (Dec. 17th in NYC)
- Matt Howard (IVAW) on his experience at Standing Rock - Report Back From Standing Rock (Dec. 17th in NYC)
- Matt Howard (IVAW) on response to veterans - Report Back From Standing Rock (Dec. 17th in NYC)
- Julie Ludwig (Paper Tiger TV) on her experience at Standing Rock - Report Back From Standing Rock (Dec. 17th in NYC)
- Julie Ludwig (Paper Tiger TV) on race, ethnicity and whiteness - Report Back From Standing Rock (Dec. 17th in NYC)
- Aneeta Mitha on Trump, what's next & hopes for the future - Report Back From Standing Rock (Dec. 17th in NYC)
- Aneeta Mitha on decolonization - Report Back From Standing Rock (Dec. 17th in NYC)
- Matt Peterson on urban movements vs rural - Report Back From Standing Rock (Dec. 17th in NYC)
- Will Munger on direct action - Report Back From Standing Rock (Dec. 17th in NYC)
- Standing Rock Report Back with Iraq Veterans Against the War (IVAW), Paper Tiger TV & The Native and the Refugee
- The Videofreex and the Community in Lanesville, NY -- Working on Lanesville TV (America's First Pirate TV Station)
- DeeDee Halleck and Skip Blumberg on Media Activist Groups, the Spirit of Collectivity and Early Cable Television
- Where are the Videofreex now?
- Failing the Palestinian People: Lamis Deek at Reels for Radicals Palestinian Film Screening
- Arts, Corruption, and Cybersecurity: Libor Von Schönau at the Reels for Radicals Palestine Film Screening
- The Hypocrisy of Zionism: Michael Tarif Warren at Reels for Radicals Palestine Film Screening
- Israeli Criticism Abroad: Joel Kovel at Reels For Radicals Palestine Film Screening
- Zionism came from a Christian Idea: Felice Gelman at the Reels for Radicals Palestine Film Screening